Monosyllable

Definition of einsilbig
A monosyllabic is an utterance or word with only one syllable. It comes from a Greek word "monosyllabic" which simply means "one syllable". In fact, monosyllabic is an unbroken tone or a single tone that makes up a complete word. For example in the sentence: "What do we live for, but to do sport for our neighbors and to laugh at them on our train?" (Pride and Prejudice, by Jane Austen) Jane Austen used all monosyllabic characters except "neighbors".

Common use of monosyllabic
And God said, "Let it be light."
Please wait for him.
I need this book right now.
Don't go there.
Would you give me this cup of tea, please?
Little words can be crisp and to the point, like a knife.
Examples of monosyllabic literature
Example 1: King John (by William Shakespeare)
“Good friend, you have no reason to say this yet;
But you shall have it; and creep time never so slow,
It will still come so that I can do you good.
I had something to say. But let it go. “

All words are monosyllabic in these lines. The monosyllabic words do not create monotony, but emphasize the words through stressed and unstressed effects.

Example 2: Festus (by Philip James Bailey)
“Life is more than breath and the quick round of blood –
We live in deeds, not in years; in thoughts, not breaths -
We should count the time with palpitations. He lives the most
Who thinks the most - feels the most noble - acts best.
Life, but a means to an end. “

This is another good example of monosyllabic words. The whole passage contains monosyllabic words with stressed and unstressed patterns.

Example 3: Raven (by Edgar Allan Poe)
“Through the grave and the strict decency of the face that bore it,
, even though your coat of arms is shaved and shaved, you ", I said," Art certainly not a Craven ...
But the raven, sitting lonely on the quiet bust, only spoke
The one word, as if his soul poured out in that one word. "

In this case, Poe used some monosyllabic words like underlining to add rhythm and flow to the text.

Example 4: Hamlet (by William Shakespeare)
“To be or not to be? That is the question -
No more - and to say through a sleep that we are ending ...
For this sleep of death, what dreams can come. “

This passage has used all monosyllabic words with the exception of the word“ question ”. This leads to confusion. In the first line, for example, Hamlet cannot decide whether to emphasize the word "that" is over "or" to be "over" not ". The first two lines are very effective.

Example # 5: Paradise Lost (by John Milton)
“What should we change for Heaven, this sad gloom
for that heavenly light? Be so, since he…
A must not change place or time. the mind is his own place, and in itself
What does it matter where, if I remain the same,
And what I should be, everything but him. ”

Milton has emphasized all the words in these lines. He has contracted a two-syllable word. "Heaven", transforming it into a monosyllabic word, "heaven."

Example # 6: Tyger Tyger (by William Blake)
“Dare to shake the terrible terrors of him!
When the stars threw their spears

Did the one who made the Lamb make you?…
In the forests of the night ”.

Blake has used monosyllabic words throughout this text. It has both accented and unstressed words, giving a rhythmic flow to the reading and musical quality to the verses.

Monosyllabic function
Monosyllable words, or simply `` monosyllables '', are accented or without accent. unstressed effects in his verses. This addition of stressed and unstressed syllables in a sequence brings fluidity and melody to the poetry. Apart from this, monosyllables also bring musicality to prose. It is because they are easy to pronounce, easy to read, and most of all, easy to understand. In fact, monosyllables provide writers with useful tools to reach their target audience and make reading their works comfortable, enjoyable, and easy. Both writers and poets use monosyllables to create a musical quality of high and low tones in a text.

Modal Verb Morpheme